The Familiarity of Home

Like many this past year, I spent a great deal of time at home. But for a
neighborhood walk or the occasional trip to the grocery store, post office or pharmacy, my world did not extend much beyond the mailbox at the end of the driveway.

My world had become small. Nay, I say, my world had become intimate, personal.

My house has been my home since I was child. And as I move through this space,
I am comforted by the familiarity of the sights, sounds and smells within. I know them well and they know me.

I’ve long felt safer-at-home, but I know, and it pains me to know, that is not true for many…For many, home is all too familiar. Disquieting and unsettling. Even painful and distressing. At best an amalgamation of complicated and conflicting emotions.

And somewhere in the middle, between soothing and troubling, the familiar, in its ever presence, becomes banal, giving way to ennui, and even contempt. Which leads me to

… yet another condition of the familiar. One in which it becomes imperceptible. Almost invisible. For to become banal, the thing must be seen. And seen. Again and again. But in this condition, the familiar fades into the recesses of awareness.

Whether the familiarity of home comforts, vexes, or bores. Is a dear friend, a pernicious
enemy, or a guest who’s overstayed her welcome, as our worlds open up more and more, I offer this TAKE TWO project

For a time,

breath and lean into the familiarity of home

embrace it and use it

Identify something in your home or just outside that you would like to see in a new way

reflectively
or truly for the first time.

Then photograph it and write about it. Poetry or prose, 100 words or less. Title it. Display it. Or Tuck it away someplace private and special.

The mundane can be reimagined by looking at it in a new way.
The seemingly insignificant can be imbued with meaning, simply by choosing see it. The troublesome feelings that bubble at the sight of that familiar thing can be dispelled by looking at it. Confronting it.

There is power in the gaze.

The kitchen table
host to countless family meals, game nights and late-night conversations,

what does it look like underneath?

The stain in the carpet that never quite came out The chipped paint on the window sill
The dress you wore to your cousin’s wedding The wallpaper in the dining room

The upholstery on the armchair
The necklace bequeathed by your grandmother The porch light
A flower pot
A picture frame
A lamp
A scarf
A crack in the sidewalk
Your favorite coffee mug

It could be an object you use daily, walk past without regard, or one you’ve stowed away for safe keeping.

Perhaps the familiar is not an object at all, but a person. Perhaps it is even you.

Consider patterns, textures, colors, shapes and angles when taking your photograph. Consider visual and emotional associations when writing about your subject.

If it is something you adore, take a picture, write about it, and honor it.
If it is something that needles you, take a picture, write about it, and reimagine it. If it is something that haunts you, take a picture, write about it, and exorcise it.

Explore what the familiar has to offer you, to teach you. And please be gentle with yourself when doing do.

Now, let us begin!

A blanket in my home inspired me to write this poem:

Your Landscape

Oh my soul, I see
the ridges and the ravines steep and sloping hills

formed by your body
by arching back, twisting limbs by breath and spirit

peak and plain were forged
In the night, whilst slumbering revealed when you rose

~Sylvia Terry, June 5, 2021

TAKE TWO

ART. Such a big word for three letters. 

What is Art? What is Art’s purpose and place in our lives, community, country and the world? How do we engage with Art? How is Art made? And by whom? Who are the Artists? What is their purpose and place in the world? 

The responses engendered by these questions              are diverse     
                                                                                                 depend on time, 
                                                                                                           place,
                                                                                                      culture,
                                                                                                 class,
                                                                                         and the individual answering 

No matter the answers… 

Whether Art is          displayed in the most famed galleries,  on the side of a local corner market,
                                   the refrigerator door, our bodies, can be heard in a concert hall,
                                   or seen on the stage or screen 

Whether the Artist is known by name, by many, by a few…or not at all
Whether she is trained or self-taught… 

Whether the piece was created digitally or by hand, with the finest of brushes, or the body…    
             on a canvas, a brick wall, the sidewalk, or a piece of scrap paper… 

             with sound, chalk, fabric, water color, wood, or found objects…            
             with the most eloquent of words penned with a quill, a fountain pen, a typewriter or a No. 2 
      pencil… 

Whether it is the work of many or of one    
             created to comment, reflect, heal, challenge or transform 

Whether it was a midnight inspiration, a carefully planned execution, or done on commission… 

Whether it be playful, disruptive, an offering or an act of war… 

Whether it be
Whatever it be 

(I think) 

              Art should be personal.
              Both in its creation and its reception. 

And TAKE TWO is a chance to explore that which is personal to each of us through creating and sharing ArtIn their relative simplicity, I hope that these projects will help anyone at any skill level cut through any encumbrances standing between them and their art. 

ART. Such a big word for three letters. 

What is Art? What is Art’s purpose and place in our lives, community, country and the world? How do we engage with Art? How is Art made? And by whom? Who are the Artists? What is their purpose and place in the world? 

The responses engendered by these questions                           are diverse
                                            depend on time,
                                                place,
                                      culture,
                               class,
                     and the individual answering 

No matter the answers… 

Whether Art is
          displayed in the most famed
          galleries,  on the side of a local
          corner
market,
          the refrigerator door, our bodies,
          can be heard in a concert hall,
          or seen on the stage or screen 

Whether the Artist is known by name, by many, by a few…or not at all
Whether she is trained or self-taught… 

Whether the piece was created digitally or by hand, with the finest of brushes, or the body…   
         on a canvas, a brick wall, the sidewalk, or a piece of scrap paper… 
          with sound, chalk, fabric, water color, wood, or found objects…
         with the most eloquent of words penned with a quill, a fountain pen, a typewriter or a No. 2
         pencil… 

Whether it is the work of many or of one
          created to comment, reflect, heal, challenge or transform 

Whether it was a midnight inspiration, a carefully planned execution, or done on commission… 

Whether it be playful, disruptive, an offering or an act of war… 

Whether it be
Whatever it be 

(I think) 

              Art should be personal.
              Both in its creation and its
          reception. 

And TAKE TWO is a chance to explore that which is personal to each of us through creating and sharing Art

Project prompts will be posted twice a month, and will take either about Two Minutes, Two Hours, Two Days, Two Weeks to complete. 

In their relative simplicity, I hope that these projects will help anyone at any skill level cut through any encumbrances standing between them and their art. 

But! Before we begin, let me encourage you to procure a box, a drawer, a chest or whatever kind of receptacle you like to keep all of your Take Two projects because… 

Well, because you made them, and they are worthy of being kept… because you made them. 

Now, let us begin!